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Maybe that's why multi-tracking seldom creates depth?


IMO, pan-potting ends simply to move stuff across the soundstage, but doesn't "create" a sense of space or depth. Seems consistent with the idea that altering the balance control of your preamp doesn't (or shouldn't) alter inter-channel delays.

I think Jon is alluding to slightly more sophisticated "pseudo-stereo" than simply using a pan-pot. If not, his statement does seem self-contradicting.

On the other hand, think about a classic Blumlein arrangement; 2 mics at (let's say) 90 degrees, almost coincident. The amplitude differences are pretty small, as are the timing differences, but it is enough to create a VERY convincing sense of both width and depth.

We're obviously pretty sensitive to this, so I wonder what the threshold of audibility is?

Peter


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