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Technical and scientific discussion of amps, cables and other topics.

I wasn't asking for an infomercial

I gather that as a musician, you find basic designs like Dynaco ST-120s, etc. lacking in their ability to naturally reproduce music as well as the best.

Did you focus on reducing odd order harmonics? Was it high bandwidth? Was it solely due to monoblock construction? Discrete device matching? Some notion of how you chose to use / not use negative feedback? Cascade vs. cascode operation? Transition from class A bias point? Power supply stiffness? What did your listening tests reveal that the numbers did not?

I find your apparent duality perplexing: on the one hand, you carry the banner high of "all good amps sound basically the same" according to the professionals especially when there's some other EE listening. Yet your own product which no doubt took significant effort on your part to develop and refine clearly doesn't fit that simplistic model.

rw


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