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Critic's Corner Discuss a review. Provide constructive feedback. Talk to the industry. |
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Critic's Corner Discuss a review. Provide constructive feedback. Talk to the industry. |
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In Reply to: Re: It took you a while but... posted by unclestu52 on May 9, 2007 at 11:59:26:
Here you are describing phase issues, not polarity. This is one of the reasons a heavily multimiked classical recording has always sounded bogus: the sour, phasey comb-filtered sound.Some companies (such as DG) are going back to their multitrack masters and applying time delay to the spot mikes to bring them in time with the stereo pair. (DG can do this as they have always made a "map" of every mike's location for every recording they made.) This makes a huge improvement. I wish we could take the technique to other companies' output!
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Follow Ups
- "In the case of Classical music, polarities become a mixed bag with the advent of heavy multimiking" . . . no. - markrohr 11:04:42 05/10/07 (3)
- Re: "In the case of Classical music, polarities become a mixed bag with the advent of heavy multimiking" . . . no. - unclestu52 01:19:19 05/12/07 (2)
- Re: "In the case of Classical music, polarities become a mixed bag with the advent of heavy multimiking" . . . no. - markrohr 04:00:39 05/14/07 (0)
- Timing errors - KlausR. 02:44:03 05/12/07 (0)
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