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In Reply to: RE: While others posted by E-Stat on January 08, 2025 at 07:28:42
Only if you consider accurate to the signal "lean" and signal corrections that moderate or correct room contributions that disrupt the frequency response of the source as "amusical". But then, "lean" and "amusical" are both subjective terms that have no meaning in the context of signal fidelity.
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It's been long proven that simplistic ones like SINAD using uncorrelated sine waves do not relate to what we hear.
My reference is fifty years of listening to live, unamplified music. And enjoy that regularly hearing wifey play her baby grand.
Choose you own *distortions* of reality. :)
There is little correlation. But that does not mean the numbers are wrong. There are (*) possible reasons why more artifacts could sound better combined with how the measurements are interpretated. And I am all for people listening to what they prefer as long as they don't confuse their preference as being objectively better.
I've linked to a recent YT video from Goldensound in which he shows three examples of a piece of music processed in different ways but with the same SINAD.
* I don't think any of the reasons are well proven and it is not in anyone's financial interest to pursue.
Thanks for the link!
But that does not mean the numbers are wrong.
Just most "numbers" lack relevancy to what we hear. Notable exceptions include frequency response and linearity which is clearly audible. Given the complexity of a dynamic musical waveform, accuracy to exactly what? There's a difference between information and knowledge .
Many years ago, there was a similarly surly wannabe speaker designer who liked to call what he didn't understand or perceive "voodoo". He threw down the gauntlet and challenged me to a duel using an online DBT. I recently recounted the experience here . Follow the supplied hyperlinks to the Klippel site and see what you think! I'm not a Tracy Chapman fan, but serves as a point of reference after some familiarity with the content.
Everyone is entitled to their perception. Those who claim *superiority*, however, are merely deluding themselves in a specious cloak of unvalidated controls. Mr. Gory has demonstrated that he no idea why he believes what he does. Merely regurgitates what he's read. And goes all over the place completely missing the core question.
I find your posts a delight to read. :)
I didn't read the whole thread before I posted and I've just noticed that earlier you used the phrase 'beaten into submission with correction'. Now, I think we now each other well enough by now that I am duty bound to distance myself from any insinuation that negative feedback does anything bad. What is does is (or should be) well understood and reduces distortion/artifacts. But the listener at home might not like the results, which I see as their problem to deal with rather than negative feedback's problem. I like your use of the term relevancy, I just used the analogy on PFM that jet engine thrust will not tell how enjoyable your flight will be but it does tell a lot about how well the airplane works as an airplane (yes, you could argue that low thrust means a longer flight that might be less enjoyable, or more enjoyable if you have time for another gin & tonic).
What is does is (or should be) well understood and reduces distortion/artifacts.
Decreases some and increases others . It's a matter of degrees.
jet engine thrust will not tell how enjoyable your flight will be...
Thrust is merely a measure of power (like watts) and has no qualitative aspects to it. Very much unlike what 75 db(!) of correction does to an audio signal.
I prefer using inherently more linear devices that don't require such a beating to be civil.
Pass makes a good point relating to Fig10 in that article that you'd have to apply 40dB of feedback to get back to where you where at 0dB (with 1% second harmonic and 0.3% third harmonic). The irony is that with 75dB of feedback you'd be much, much better off than having none! If you can actually apply 75dB of feedback that is! I look at this in two ways: designing for lowest distortion without overall negative feedback is an interesting design challenge and a noble cause but easy, designing with really high loop gains is difficult and, IMHO, beyond the capabilities of many. But, perhaps, 1% 2HD & 0.3% 3HD is perfectly acceptable so it is moot. Except that audiophiles seem to be threatened by stuff that measures well because they chose something that measures less well, even though they like what they have. And audio designers seem threatened because they don't want the market to become commoditized, which can happen if someone takes the time to master feedback and uses it to produce lower priced amplifiers.
I'm not a fan of multitudes of high order harmonics that accumulate at the top. :)
Edits: 01/10/25
Looks like Nelson has transcended guru-ship and is going for Wizard status.
who find having to put a massive filter on the output of an amp to remove copious amounts of ultrasonic garbage is not the best way to go.Do those who listen to Hypex amps do the same as John Atkinson must in order for the noise not to overload his gear?
Dan D'Agostino never liked the "fuzz" always seen on square waves.
Edits: 01/11/25
Nt
I didn't say SINAD- no need for your straw man. I mentioned fidelity to the input signal. Clearly you are in the category of those who prefer added distortion. You aren't alone. It is just a more rationale choice to add the distortion in a controlled fashion through DSP and tailor it to one's liking rather than add it haphazardly. I imagine after 50 years of listening to live music your ears couldn't appreciate a wire with gain anyway...
Still didn't answer the simple question.
Not surprised!
What don't you understand about accuracy to the input signal? You have the input, you have the output, which is ideally the same as the input, only larger in magnitude. There are many metrics available to measure differences between the signals in both amplitude/phase- frequency/time domain. Do some homework.
Edits: 01/08/25
to understand your empty claims.
Not surprised!
Maybe time for a cognitive test along with a hearing aid upgrade.
Love your high horse fact-free posture. ;)
Schedule that appointment as you clearly can't tell the difference between fact and subjective opinion..."overly lean", "amusical harmonic profiles", lol...some real metrics there!
zero *facts* in our discussion. Are you a bot?
Not surprised!
I can't help it if you aren't cognitively capable of understanding the difference between fact and opinion. Try again.
Like exactly what?
Too funny!
Only empty posturing is found. Must be a bot. ;)
"Not everyone likes a wire with gain." Fact.
"Doesn't mean there is anything wrong with an amp that does what an amp is suppose to do: make a small signal larger." Fact.
"It's a proven fact that certain distortion profiles are appealing to some." Fact."I didn't say SINAD- no need for your straw man." Fact.
"I mentioned fidelity to the input signal." Fact.
"Clearly you are in the category of those who prefer added distortion. You aren't alone." Facts.
"It is just a more rationale choice to add the distortion in a controlled fashion through DSP and tailor it to one's liking rather than add it haphazardly." Fact.
"I imagine after 50 years of listening to live music your ears couldn't appreciate a wire with gain anyway...-" Ok, there is an opinion but your answers seem to prove it is a fact."Maybe time for a cognitive test along with a hearing aid upgrade." Fact based on your lack of reading comprehension.
I'm off the crazy train. Better things to do than to fix stupid.
Edits: 01/08/25
After half a dozen post, you remain unable to articulate why you *believe* that person's choice is less "accurate" than the Hypex.
Not surprised!
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