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Re: So we disagree about how much we agree (or disagree)?

"I hate to say it, but it appears we agree on this. There is one qualifier: you and I are using "better" and "more accurate" interchangeably, but this is not universally accepted."

This is what I was referring to. I didn't know if were were talking about the same thing. Prehaps in this broader context we are in agreement.

"Steve Eddy, for example, has stated many times that (to paraphrase): accurate is accurate, but better is what you like."

A lot of times, I am not sure I understand exactly what people mean. Does this mean that if you prefer something that is not accurate more more than something that is more accurate, the one that is not more accurate is better. Then better becomes a purely subjective value. If one speaker can "accurately" reproduce the sound of a jackhammer and a buzzsaw and another makes the jackhammer sound like a harp and the buzzsaw sound like a piano, which is better? I like the sound of harps and pianos more than jackhammers and buzzsaws. Which is better depends on how you define the function or purpose of the equipment. I think that's the crux of it. Having had the good fortune to hear live versus recorded demonstrations of AR3 loudspeakers at trade shows play against a guitarist and a 1905 Nickelodeon under admittedly highly contrived conditions, I was struck at the amazing similarity of sound. I would have been hard pressed to tell which was which blindfolded in those demonstrations. However, AR3 was a speaker that many people disliked and perhaps they were not as successful at reproducing accurate sound on commercially made recordings as on the special recordings for these demos. (BTW, on Arsenal, a site devoted to old New England manufactured loudspeakers, it was pointed out that no examples of these speakers exist today which perform exactly as they did in their heyday 40 years ago due to aging, deterioration, and the inability to compare restored units directly to pristine examples.)

"What I DID say is that the measurement of accuracy ultimately occurs inside your head, so any attempt at developing absolute quality ratings must take this into account."

And one of the things I said was that what goes on inside your head depends to a strong degree on what your ears are capable of hearing. Therefore the first order of business IMO in investigating this systematically is to determine just what the limits of hearing are. Can we at least agree on this?




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