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In Reply to: Re: The Shure SM81 and mic'ing drums posted by Top Jimmy on January 9, 2005 at 23:33:17:
Try this one for separation -
Kick (gated) -
snare (gated only if the groove is simple) -
toms (gated), you can submix and eq the group if you must. -
overheads quite far apart and reasonlably close (1 - 2 feet) to cymbals, pointing toward the cymbals but angled away from the snare, angled slightly towards each other.I'd recommend putting the overheads on a stereo channel with a highpass filter on with a corner frequency between 400Hz-700Hz then run that signal through a compressor with fast attack and fast release about 2:1 ratio and gain reduction peaking at around 10db.
This will bring up the Hihat and ride which would otherwise suffer from these mic positions and also squash the snare down on each hit.
give it a go. - by preference you'd want to get a hihat mic and ride mic and change the overheads to a coincident pair or mid/side matrix arrangement - this gives a much smoother balance of the overhead of the kit, but it takes an extra two channels and mics.
hope this helps, ta,
neak
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- Re: The Shure SM81 and mic'ing drums - Neak 07:11:23 03/24/05 (0)
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