In Reply to: Well that was weird posted by WildWest on November 14, 2006 at 19:59:00:
get attacks and decays, of each note, reproduced correctly - particularly the reverberation of the space - in acoustic recordings - caused by these two crucial events right down into the fundamentals contained in attacks and decays.Once you have the subs LP filtering sounding right / in-step, you may find that absolute polarity begins to matter to you, on acoustic recordings at least. I'd use both wrable and discrete tones for the testing/matching period and music to confirm.
You may well also find that some recordings still need a bit more sub-bass and others less.
Are your Klipsches ported spkrs? If yes, do try them with the ports stuffed, just a bit or fully stuffed.
The latter may require a slightly higher freq for the Low Pass to the sub - to avoid a dip - so go carefully, and be willing to shift the sub slightly as well. But it 'should' also clean up the area around and above where the sub starts - by reducing cone wobble/port chuffing - particularly BELOW the stop-band of the Klipsch' port/box.
You may find, after rematching that - on music - system sounds like it has a little less mid-bass ( around the xover point) - than with the subs before.
But, if your ears had already told you the frequencies are there - during the rematching task - the correct and happy conclusion is that you have lost some distortion from the cones being out of their linear range as they try to do any ELF* stuff in the FR signal they are fed. * music or spuriae!
JMO and YMMV!
WarmestTimbo in Oz
The Skyptical Mensurer and Audio Scrounger'Still not saluting.'
Read about and view system at:
http://www.theanalogdept.com/tim_bailey.htm
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Follow Ups
- LF does help with imaging, and it isn't just because it adds the fundamentals of some notes it also helps - Timbo in Oz 13:48:41 11/16/06 (1)
- Wrong!!!!? IIRC cone-control in a bass horn below their own high pass roll-out is rather better than unassisted Rb's - Timbo in Oz 14:05:51 11/16/06 (0)