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Although I liked the clips (Duke, Ray Charles, Aretha, etc.), the show was marred by its relentlessly Ahmet-kissing perspective: two hours of shots alternating between Ertegun's self-congratulations and famous people buttressing the same.

I respect his accomplishments, but an authentically historical documentary has to explore the darker side as well: the exploitation of black talent (while withholding royalties), payola, mob influence in the record industry, the questionable deal with Stax over distribution and ownership, etc. Musically, did the world really need Foreigner? Yet what about Nesuhi, who became merely a footnote in this hagiography? What about the jazz sides with the MJQ, Mingus, Coltrane, Coleman, etc.?


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