from AllMusic:
striking success in her home country of Denmark with her debut is all the more remarkable given how understated Philharmonics is as a listen, a seemingly straightforward piano/vocal album that isn't. Combining a strong ear for immediate appeal -- Obel's deep singing voice is lovely and her ear for a calm hook is crucial -- with a feeling of just-unsettled-enough unease is key. Part of it lies in Obel's ear for vocal arrangements; hearing her own overdubbed harmonies showcases her talents further, both as performer and producer. But there's something that's not trying to be straightforward here. There's an elegant, slipping darkness that creeps in around the corners, like something is being hidden in plain sight.
This review is spot on imo.
recommended
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Topic - Agnes Obel's music is addictive despite it's POP sound. - PhilJ 13:25:52 09/25/19 (6)
- RE: Agnes Obel's music is addictive despite it's POP sound. - Bill O'Connell 07:02:16 11/02/19 (1)
- Dead Can Dance seems like a good match though I prefer Obel. I am officially jealous! - PhilJ 07:34:05 11/03/19 (0)
- RE: Agnes Obel's music is addictive despite it's POP sound. - RGA 18:59:14 09/25/19 (3)
- thats on her Citizen of Glass album probably her quietest release thats a bit subtle - PhilJ 09:29:34 09/26/19 (2)
- RE: thats on her Citizen of Glass album probably her quietest release thats a bit subtle - Bill O'Connell 09:26:49 11/06/19 (1)
- Thanks i will give her a listen! - PhilJ 13:42:11 11/06/19 (0)